augmented scale patterns

In this example the scale … Back to Page Index. Thus, the sharp five is something that is fairly unique to the augmented scale. 1.5 steps, 0.5 steps, 1.5 steps, 0.5 steps, 1.5 steps, and 0.5 steps. Free scale finder that helps you learn the fretboard patterns for hundreds of guitar scales and arpeggios. On the other hand, a minor scale would have a flatted seventh. This scale should not be confused with Lydian Augmented with the semi-notes pattern 2 - 2 - 2 - 2 - 1 - 2 - 1. We can express the intervals for the augmented scale in a variety of ways. Again, we can compare this to our reduced form of the diminished scale which was built with stacks of minor thirds. In ex 7.1 we have a basic diminished scales, and as an example of how they work look at the first one (ex 7.1A – starting on D) If this applies to a Db7 or C#7 the notes are (in ascending order): b9, #9, 3rd, b5, 5 13, 7. Augmented Chords are built using 1, 3, and #5, all of which are contained in the augmented scale. We could also express this pattern as a series of intervals such as: 1, b3, 3, 5, #5, 7, and 1, where 1 is considered to be the root. There is often more than one way to play these scale shapes. Therefore, C augmented is approximately 4/6, or 2/3, or 66.6% major. It is also, like the diminished and whole tone scales, a symmetrical scale. A minor (major seventh) chord [m(maj7), mM7] is built from 1, b3, 5, and 7 from the major scale. Thus, if you are interested in jazz, then learning how and when to use the augmented scale will be an important tool in your musical toolbox. It is constructed from two augmented triads a half step apart. Lydian Augmented Scale Pattern. A major seventh, sharped fifth chord (maj7#5) is built from 1, 3, #5, and 7 from the major scale. Starting with our C augmented scale and eliminating every other note yields: This is exactly a C augmented triad, which can also be thought of as consistent stacks of major third intervals. Whenever I practice the augmented scale, I keep figuring out new things about its construction. View Lesson 51: Comparing the Diminished Scales, View Lesson 53: How To Build The Whole Tone Scale. You will learn practice patterns, arpeggio patterns, and sample licks to help take your Dim7 soloing phrases to the next level. Scale Patterns As per usual, I’ll provide a few patterns that I like to use in my own playing. The name of the scale is based on the fact that it is built upon two augmented chords. The augmented scale is a hexatonic (6 note) scale formed by consistently alternating minor third intervals with half-steps. The same is of course the case for the B, Eb and G … Before we can answer that question, it’s first important to analyze the notes in the augmented scale and determine what we have. In example 1 the C and B augmented triads are shown and I’ve added two ways to play the scale. If we used C augmented as our example, then we would have: This is an important result since it allows us to solo over jazz chords that aren’t usually used in pop and rock music. Putting all this together we can see several chords where the augmented scale really sets itself apart: Let’s examine each of these instances separately. In this example the scale would consist of C Eb E G Ab B C. Since both of the chords are symmetrical every major 3rd the scale is also symmetrical in that way. This means that the interval relationships between scale degrees are repeated to create a symmetrical pattern. The augmented scale is literally made up of two augmented triads. This means that every chord that we find with a C root will also be there with an E and an Ab Root. For lead accompaniment, most musicians become familiar with two main scale forms: seven-tone (or heptatonic) and five-tone (or pentatonic). I understand that these percentages do not add up to 100% but that is because each of the scales (major, and minor) exists is separate domains, and as a result, are not subject to the same set of rules. 2 Octave C Lydian Augmented Scale TAB. This is a very important discovery because up until this point we have really classified things as being either minor, major, or diminished. The augmented scale is a hexatonic scale–that is, it only has six tones. Mastering this scale will allow you to confidently and musically solo over Dim7 chords the next time you encounter one in a jazz tune. For example, we can call our minor thirds, 3/2 steps to yield: 3/2 steps, 1/2 step, 3/2 step, 1/2 step, 3/2 steps, and 1/2 step. Augmented scale theory, at the very least, can assist musicians as they move beyond digital patterns and other less than creative approaches when working with 3-tonic systems, helping their improvisations move from tired to inspired. the diminished, chromatic, whole-tone and augmented scales This is just a quick summary post for all resources relating to THE DIMINISHED, CHROMATIC, WHOLE-TONE AND AUGMENTED SCALES. Next, let’s consider that this scale has both a 5 and a sharp 5. The Augmented Scale Patterns The augmented scale is a hexatonic (6 note) scale formed by consistently alternating minor third intervals with half-steps.

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