banjo neck gap

The variety of grain in figured wood makes for beautiful patterns, it may also create unseen tension that can cause a warp. I showed it to our ... Harmony Seeger Style 5-String Long Neck Banjo 25 frets. I have had many people compliment me on how good this banjo sounds and the improvement was 10 fold. Size of gap doesn't matter. After the pattern is complete, use it to mark the side profile of the neck on the workpiece. Please note this is an archived topic, so it is locked and unable to be replied to. This is not a problem to do, but it is more work and involves re-setting the banjo neck in the proper position. This is a very slight amount of bow. Curing is double important when working with figured woods! It is okay if the peghead is a little thick as it will still have to be sanded flat. In its most basic representation the banjo neck side profile pattern consists of three rectangles; one for the peghead, one for the neck, and one for the heel. I removed the hooks on either side of the tension hoop so they would not interfere with running the sandpaper back and forth. Now that the neck is straight, you need to introduce some "relief" into the neck. It should be somewhere between 10 and 20 thousandths of an inch. The plane of the peghead must tilt back from the plane of the fingerboard at about 7 degrees. I think the contact would have to be extreme to inhibit the movement. I'm glad that folks don't take this for gospel just because of the source. Since the tension band isn't really attached to anything solid you might get a good result one day and have your instrument sound like doggy poo with a slight change in humidity. If a piece of aluminum foil can slip in between, that's my test. Pickguards for Banjos Banjo Resonators. Banjo necks and hardware for necks (4- & 5-string) Banjo Nuts. Mark the neck to be 1″ thick where the peghead meets the backside of the neck. Unlike Roger S, I'm not saying that contact is better. Given the same scale length, the neck for a banjo with an 11 inch rim is slightly longer than the neck for a banjo with a 12 inch rim. The heelpiece rests on the wooden rim only. Banjo Setup File #1 One of the most crucial adjustments to your banjo is the correct fit of the pieces. Let the neck blank “rest” a while. The whole instrument must be physically stable. 1xsculler - Posted - 07/03/2017:  14:51:31. Mark the neck to be 1″ thick where the peghead meets the backside of the neck. If the edge rocks, the neck is bowed back. I don't think anything about banjo setup is universally accepted! How to Play Banjo Up the Neck, Cumberland Gap Question Hi Ross, I have a question about playing the Cumberland Gap up the neck break. The little gap means the tension hoop and the head can usually be lifted off easily and replaced easily, without removing the neck. At the heel end of the neck, use the protractor to mark a line at 87 degrees perpendicular to the surface that will be the fingerboard. Bridge the Gap Banjo Heads. Banjo Pickguards. Banjo, guitar, bass, orchestral, folks and ethnic instruments. Measure it at the 7th or 8th fret--near the center of the neck. Be mindful of the angle where the peghead surface “breaks” from the fingerboard surface. I watched the Warren Yates video concerning this issue and since I had already had my banjo apart and was in the process of doing a much needed cleaning after 22 yrs of non-use I figured I would follow Warren's advice. Edited by - 1xsculler on 07/03/2017 12:25:28, Jim Britton - Posted - 07/03/2017:  12:15:35. After removing so much wood from the back of the neck the new shape is free to bend in response to its own internal tensions. After curing, check the neck blank against the jointer bed to be sure that it is still straight and true. There's no accurate way of setting neck tension against the tension band since what you really are aiming for is for the heel to mate tightly against the rim. Lay aside the neck blank for a few days or weeks. As others have already said, size of gap doesn't matter. I would welcome being proved wrong on this, and would be glad to hear any recorded changes in sound if someone feels like doing the experiment. Make a line parallel to the fingerboard surface. If you haven’t thought about the scale length of your instrument you can read about scale length considerations here. And while that opinion may be near-universal, it's not quite there. Thanks, Warren Yates Banjo Necks/Neck Hardware. Enter your email address to subscribe to this blog and receive notifications of new posts by email. I add a 1/2 inch to the heel of the pattern for necks intended to go with 11 inch rims. Blackjaxe47 - Posted - 07/03/2017:  15:14:41. And while that opinion may be near-universal, it's not quite there. I think Roger Siminoff is among the leading proponents of the neck making solid contact with the tension hoop. You need a slight gap. It is strong and smooth to the touch with no gap or viable crack. Any amount of not touching will keep the head free. A twist in the wood that has not been active may become active because the wood that has been removed from the backside of the neck no longer restricts it from moving. ', 'Bart Reiter 11” Bacophone Plus, Whyte Laydie & Bacon tone ring & HSC'. Nuts! You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/332230, 1xsculler - Posted - 07/03/2017:  11:59:15. If you do intend to use an overlay, the peghead will have to be thinner than the measurement from the tuner in order to accommodate the thickness of the peghead overlay. I THINK that's what we would all work to avoid. I think that tight fit between the tone ring and the rim is far more restrictive of the sound than contact between the tension hoop and heel. Draw a rectangle of the appropriate dimensions for your plan. The neck gets thicker as it nears the heel. You need a slight gap. Hide these Google ads: join the Players Union! It seems that (most) players are in agreement that the tone is somewhere between unchanged and dramatically improved. For a 12″ rim I usually allow 19″ for the length of the fingerboard for an instrument that has a 25.5 inch scale length. Got my question answered by doing a search. If the neck does not fit firmly against the rim, the loose joint will either absorb or reflect the sound that passes through it, and the tone of the instrument will suffer. I think Roger Siminoff is among the leading proponents of the neck making solid contact with the tension hoop. Pic#7 shows the spot where I think the repair was made. In the case of the neck-tension hoop gap, there's probably consensus that there should be a gap. In the case of the neck-tension hoop gap, there's probably consensus that there should be a gap. Keep scale length in mind when making the banjo neck side profile pattern. Take your playing to the next level with the help of a local or online banjo teacher.  Other Banjo-Related Topics I am now a stern advocate of having the neck gap, it makes changing the head a lot easier that's for sure.I used a strip of sandpaper and kept running it back and forth until I could slip a piece of paper through the gap. The one thing you can guarantee from contact is that it WILLeffect sound, and there's no way of predicting if it's going to be better or worse. After the side profile has been cut out I call the workpiece a neck blank. There are a variety of ways that the heel of a banjo neck can taper into the handle portion of the neck, I use a gentle inside curve. If you have one of the machine tuners you intend to use, measure it carefully, or try fitting it to a piece of scrap wood to get an idea of the total thickness the peghead will need to be. That break-point needs to stay consistent at 90 degrees across the width of the neck blank. The resonator has a couple of cracks on the inside ply of the back. When you are satisfied with your layout, cut it out with the band saw. Use the side of the workpiece that has been trued by the jointer as the line that represents the fingerboard. Unless you want to do "banjo surgery," just leave it alone, and don't worry about it. Banjo, guitar, bass, orchestral, folks and ethnic instruments. I hope it helps. Mark the back side of the neck heel by measuring up from the line just marked about 3″. I'll go for the consistency in set up every time. http://www.banjohangout.org/archive/332230, 'Boil the Cabbage Down bluegrass banjo lesson by Chris Quinn. World's largest string selection! We use cookies to ensure that we give you the best experience on our website. Cumberland Banjo Musicmaker’s Kits Inc P.O. Draw a straight line to mark the backside of the neck. I'm having trouble with … 'Boil the Cabbage Down bluegrass banjo lesson by Chris Quinn.' I generally set it up with light contact and I have never detected any binding of the hoop when tightening. At the place where the neck meets the heel, the neck should be at least 1.5″ thick. The neck blank’s moisture content is also subject to change. ', 'Looking for white keystone tuner knobs. Plastic & Skin Banjo Necks/Neck Hardware. A gap allows the tension hoop to move up and down freely when you adjust head tension.  ARCHIVED TOPIC: neck gap? I have just one side profile pattern that I use for banjo necks. Give the neck blank the time it needs to cure properly. Using a straightedge or pressing the 3rd string at the 1st and 22nd frets, check to see if the banjo neck is bowed.

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