The clips’ inner diameter may be roughly the right size to fit onto the mic, but the clip itself is too rigid. Exactly the comparison i was looking for! Nor to transport the X1 in a cardboard box. But a friend of mine who owns both microphones has done an audio high quality comparison: https://www.dropbox.com/s/2eofdj2mxu9zocz/X1-NT1.mp3?dl=0 #1 is sEx1 and #2 is Rode NT1, In which I found sEx1 to be more warm and better. I applaud sE for the interesting finish on the mic; I think other manufacturers should take note. The track does not sound brittle or thin, but rather pleasantly crisp. In a mix with other instruments, I don’t want too much of those from the acoustic guitar, so I usually cut around 200–400hz. I’ve done enough critical listening to comfortably say I hear no audible differences between the larger midrange section of the frequency spectrum of these two microphones. Hi guys, I am a male low voice voice actor and I'm looking to upgrade to some new setup and I'm really in a doubt for the Mic, in the past months I've watched a lot and lot or reviews and thought that Rode was the best choice. Rode NT1-A, sE X1 Mic, Neumann TLM 102, AKG Perception P220 Blind Test. Because the components, including the pickup element, are not internally isolated from the body, mechanical vibrations can introduce resonance peaks into the audio signal. If this post is not looking for buying advice, then message the moderators, and it should be resolved within a day. I applaud sE for the interesting finish on the mic; I think other manufacturers should take note. Thanks. View Profile View Forum Posts View Articles Moderator Join Date In all the above audio tracks, Mic #1 is the sE Electronics X1. No matter which EQ I use, to me it always ends up giving the track the sensation of having a towel thrown over the voice. In all the above audio tracks, Mic #1 is the sE Electronics X1. I bought the sE X1 mic a few days ago, and I encountered the same problem with the features “0 dB – 10dB” and the low cut switch which I still can’t understand when it is engaged or not… I have checked all possible manuals and I do not know which of the symbols on the right side of the mic (the low cut switch) activates it or not… _wpaudio.enc['wpaudio-5fc339d27d387'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0063\u0064\u006e\u002e\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0058\u0031\u002d\u004e\u0054\u0031\u0041\u002f\u0042\u0072\u006f\u006f\u006b\u0065\u004e\u0054\u0031\u0041\u002e\u006d\u0070\u0033';Female Vox, Mic #2. It’s a lot heavier than I thought it would be. Attempts at small position changes would only result in sudden, big moves. The noise in the X1 track is clearly audible. The signal chain for these sessions was as follows: The NT1A, with its very impressive 5dBA rating, shines here. Mic #2 is the Rode NT1-A. Nonetheless, the NT1A still gave me more bass response than I want. A new contender in this category is the sE Electronics X1. The X1 ships in a foam-lined box containing the mic, a clip and an instruction manual with a frequency response chart. _wpaudio.enc['wpaudio-5fc339d27b061'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0063\u0064\u006e\u002e\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0058\u0031\u002d\u004e\u0054\u0031\u0041\u002f\u004a\u006f\u0065\u0058\u0031\u002e\u006d\u0070\u0033';Male Vox, Mic #1 Their capture of the timbre of each source was the same, even for the variety of sources I recorded. Please contact the moderators of this subreddit if you have any questions or concerns. SE Electronics X1 Vocal Pack I wish the switches for the pad and the HPF on the X1 matched the mics’ otherwise very sturdy construction. Whether that perception is justified by studio performance, of course, remains to be seen. First I recorded Joe Collins, who is a baritone. One of the things that I’ve always noticed about the NT1A is how light it is. He performed an excerpt of a tune called “It Hurts Me Hurting You” by Intervision–a fantastic local Portland band. With the X1, I would likely reach for a de-esser. I would definitely do so with the NT1A track, but probably not with the X1; the balance of the X1 on this guitar is excellent, and is faithful to the sound of the instrument. In contrast, the clip included with the X1 was a disaster. Mic Database | Mic Reviews | Microphone Sale, Sunday, January 20th, 2013 | by Sacha Müller. Thank you! For the rest of my sessions, I used an Audix D-Clip, which worked the way a simple mic clip should. Mic #2 is the Rode NT1-A. Your submission has been removed. While I did manage to wrestle the darn thing onto the mic once, it was entirely too difficult and frustrating, and was impossible to do without thoroughly blemishing the finish around the bottom of the mic where the clip attaches. Next I recorded Brooke Braaten, who is a mezzo-soprano, but has a wide range. I really like RODE's build quality and electronics design & implimentation. Unless you plan to use an X1 for some kind of permanent installation, I’d say save yourself the frustration and use a different mic clip. I positioned both mics as closely as possible together, about 8 inches in front of the 13th fret (where the neck of the guitar meets the body). 12-07-2011 #6. sleepy. I hear the X1’s signal falling apart slightly during the peaks, whereas the Rode passes a sound that would still be very usable in a mix. I really dig how the Rode handles Joe’s siblance, and I would likely not put a de-esser on that track. The X1 definitely has some features that stood out to me. It always feels lighter than I expect a mic of its size to be.
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