Premium bi-directional microphone featuring Roswellite® ribbon technology for world-class audio and performance. Stereo microphone techniques give depth and spatial placement to sound sources for broadcasting, recording, or sound reinforcement applications. “Mylar” is a registered trademark of E.I. For stereo applications, use the optional Shure A27M Stereo Microphone Adapter. Higher impedance results in better performance for these specifications. Most modern microphone preamplifiers meet this requirement. Note: Sound quality is strongly affected by microphone location and room acoustics. The image of the desired polar pattern should be directly above the notch at the base of the ring. An ultra-thin, 24-karat gold-layered diaphragm and superior build quality make the KSM141 ideal for studio use, yet rugged enough for the most demanding live applications. Three-position attenuation switch (0 dB, 15 dB, and 25 dB) for handling extremely high SPLs. All specifications measured with a 48 Vdc phantom power supply. For more information, please visit shure.com/prop65 open_in_new. THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. A versatile, durable, and precise single cardioid polar pattern instrument microphone. Provides the most natural sound in most applications. The KSM141 may be used for a variety of applications other than those listed. A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns, providing flexibility in a wide variety of recording and performance applications. WARNING: Cancer and Reproductive Harm www.P65warnings.ca.gov open_in_new. 0 dB For "quiet" to "normal" sound levels. −25 dB For use with in close proximity (less than 10 cm) to extremely loud sound sources such as drums, horns, or loud guitar cabinets. Download PDF Three-position low-frequency filter switch reduces stand vibration noise and counteracts proximity effect. This is the most commonly used pattern in studio recording and live-sound applications. Industry-standard mic renowned for sonic accuracy in stage and studio performances. To reduce the pickup of unwanted low-frequency mechanical vibrations, use an isolating shock mount. Cardioid. Provides a 6 dB-per-octave rolloff filter at 115 Hz. However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc. When this pattern is selected, the microphone picks up sounds directly in front of the microphone and is least sensitive to those in back. Precision-engineered small-diaphragm condenser microphone with interchangeable polar pattern capsule options. The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction. Adjust the microphone angle using the knurled knob. In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand. Its class A, discrete, transformerless preamplifier captures an extremely transparent sound, and a three-position attenuation switch and low-cut filter allow for handling of extremely high sound pressure levels (SPL) and controlled bass response. Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional). Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. Is is nearly identical to Shure’s KSM137, which has a fixed cardioid pattern. The Shure A27M allows you to mount two microphones on a single stand with a wide range of angles and vertical separations for a variety of coincident and closely-spaced stereo configurations. The Shure KSM141 is jam-packed with the pro-level features you’d expect from a microphone of this caliber. PAG/NAG is a concept that can be used to determine if a sound reinforcement system can produce enough gain to provide an optimal listening experience before causing feedback. Its low self-noise and extended frequency response make it ideal for recording musical instruments. Detailed policy information regarding customer service numbers, service modifications, and replacement parts. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect. Dual pattern instrument microphone offers transition between cardioid and omnidirectional patterns and features extended frequency response, pad for handling SPLs, a gold-layered Mylar diaphragm, and a subsonic filter for low frequency rumble. Carrying Case for two KSM137 or KSM141 microphones and A27M stereo bar, Microphone Clip for AMS26, BETA181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands, Isolation Mount/Swivel Adapter for KSM109, KSM137, KSM141, SM63, SM81, SM94 and VP64, Popper Stopper® Pop Filter with Metal Gooseneck and Microphone Stand Clamp. What are the KSM141's main features? Provides flexibility in a wide variety of recording applications, Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar, Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion, Premium electronic components, including gold-plated internal and external connectors, Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration, Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs), Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect, Exceptional reproduction of low-frequency sounds, Can withstand high sound pressure levels (SPL), Superior common mode rejection and suppression of radio frequency interference, Acoustic instruments -- such as piano, guitar, drums, percussion, strings, Low frequency instruments -- such as double bass, electric bass, kick drum, Room ambiance pick-up -- guitar amplifier or drums, 1 - A141C Case, 1 - A100WS Windscreen, 1 - A57F Microphone Clip, 1 - A141SPC Case, 2 - A100WS Windscreen, 2 - A57F Microphone Clip, 1 - A27M Stereo Microphone Adapter.