what is an augmented scale

In example 1 the C and B augmented triads are shown and I’ve added two ways to play the scale. The term augmented often refers to a 5th being raised a half step. So, to be used it is usually the case that a note from outside the notes of the scale is used. Thus the Ab augmented scale is the scale of choice for imposing the augmented sound on the altered G7 chord. Jazz Theory, Technique & Solo Transcriptions, “Secrets of the Symmetrical Augmented Scale”, use the augmented scale with “Giant Steps”, Internalizing the Sound of the Augmented Scale |, Using the Augmented Scale with “Giant Steps” |, A Favorite Augmented Scale Lick (or, Echoes of Oliver Nelson) |, An Easy Way to Use the Augmented Scale in Major Keys |, The Augmented Scale, Its Companion, and a Musical Example | Contemporary Orchestration Techniques, Electronic Journal of Severe Storms Meteorology, The CopyFox Writing and Editorial Services. In this example the scale would consist of C Eb E G Ab B C. Since both of the chords are symmetrical every major 3rd the scale is also symmetrical in that way. The flatted-6th serves as a pivotal pitch in 3- and 4- … There are 2 different methods when it comes to the augmented scale formula. Like an augmented triad. Much like the Diminished Scale is actually just two diminished chords superimposed over each other. It is constructed from two augmented triads a half step apart. Augmented scale theory, at the very least, can assist musicians as they move beyond digital patterns and other less than creative approaches when working with 3-tonic systems, helping their improvisations move from tired to inspired. Try the above tip with a blues as well. Even some slightly more obscure scales have clear cut applications: the Lydian augmented scale is used over a ma… (adsbygoogle = window.adsbygoogle || []).push({});
. Instead of the interval of the 5th (D – A in D Maj, Ab – Eb in Ab Maj) being perfect, it is labelled as an augmented 5th. The Augmented Scale (a.k.a. However, we worked on the C major scale before, because by saying only “3rd degree”, “6th degree”, etc. One reason the augmented scale is one of the least taught scales is because its application isn’t so clear cut. The other hexatonic scales are the whole tone scale, tritone scale, and the blues scale. The Augmented Scale is just two augmented chords superimposed over each other. Augmented scale. The Augmented Scale is: a Hexatonic Scale (6 notes) a Symmetrical Scale (repeating intervals); Also knows as the minor-third half-step scale (because that is the intervals that make up the scale); Because the scale is symmetrical, there are only 4 unique Augmented Scales (i.e. Try it out and listen to how it sounds. In the C Augmented Scale this would be C - E - G# (Caug) and Eb - G - B (Ebaug). Augmented scale theory, at the very least, can assist musicians as they move beyond digital patterns and other less than creative approaches when working with 3-tonic systems, helping their improvisations move from tired to inspired. Instead, they live in the Harmonic or Melodic Minor scales. we were not specifying whether the degree was major, minor, perfect, diminished or augmented. Ab Augmented triad. It is also, like the diminished and whole tone scales, a symmetrical scale. Symmetrical Augmented Scale) consists of six notes and therefore belongs to the category of hexatonic scales. For example, there is no diatonic scale … This makes them quite an unusual choice for chord progressions, since most composers stick to minor or major scales. 10. For example: You can use both the C minor-third half-step scale and the C half-step minor-third scale over a C7alt chord:
Contains only notes from the C Augmented Scale; Contains the C Augmented Triad within it. Not sure what is really meant by augmented scale. You can use the C Augmented Scale over any chord that: Note: The Augmented Scale contains ‘avoid notes’ so be careful when using it. All Rights Reserved. It may also be called the "minor-third half-step scale" due to the series of intervals produced. Augmented chords don’t sit in the regular Minor or Major scales. This scale should not be confused with Lydian Augmented with the semi-notes pattern 2 - 2 - 2 - 2 - 1 - 2 - 1. Thus, for example, the C Augmented chord is composed by notes C, E, G.As can be seen, there are no P 5 th intervals between these notes, but an A 5 th, so this chord is unstable and produces a sensation of tension.The C Augmented chord is represented by “C+”. Sections of the following songs use the Augmented Scale: While all my lessons are free, if you find them useful please consider donating to help keep them coming. Survival of the Fittest ~ Freddie Hubbard. One involving augmented triads and one with alternating minor 3rds and minor 2nd intervals. So for example, C minor-third half-step scale contains all the same notes as E♭ half-step minor-third scale. The C augmented scale also functions as an E and an Ab augmented scale, and each version works nicely with an altered dominant seventh chord built on its leading tone. The diminished scale is played over a diminished seventh chord or a dominant seventh with a sharp or flat nine chord, the whole tone scale is played over a dominant seventh with a sharp five chord, the altered scale is played over an altered chord, the blues scale is based on the key, etc., etc., etc. Therefore, it was necessary to say that the degrees would be according to the format of the major scale. (adsbygoogle = window.adsbygoogle || []).push({});
, Because the scale is symmetrical, there are only 4 unique Augmented Scales (i.e. This means that every chord that we find with a C root will also be there with an E and an Ab Root. The same is of course the case for the B, Eb and G note… This means that the interval relationships between scale degrees are repeated to create a symmetrical pattern. So I guess we can use same definition for a scale. The augmented scale is … An Augmented Chord is a 3 note Dissonant chord, built by superimposing two M 3 rd intervals. This scale was popularised by John Coltrane, Oliver Nelson and Michael Brecker. The flatted-6th serves as a pivotal pitch in 3- and 4- tonic systems. Below is a classic augmented lick in C Augmented. the C Augmented contains all the same notes as the E and A♭ Augmented). AUGMENTED AND DIMINISHED CHORDS. From Chord to scale: the Augmented Scale. These chords are what we call non-diatonic chords, because they don’t show up in a diatonic scale in any key. the C Augmented contains all the same notes as the E and A♭ Augmented) The augmented scale is a hexatonic scale–that is, it only has six tones. The Augmented Scale. Because an augmented chord is a third stacked upon a third, the augmented scale is a hexatonic scale (it only has 6 notes). Augmented (0,4,8) The name comes from the fact that the 5 th is augmented – or the 5 th of a major chord is raised (aka augmented). The name of the scale is based on the fact that it is built upon two augmented chords. And also, much like the Diminished Scale, you can create modes of the Augmented Scale by just starting on a different note. The augmented scale, also known in jazz theory as the symmetrical augmented scale, is so called because it can be thought of as an interlocking combination of two augmented triads an augmented second or minor third apart: C E G ♯ and E ♭ G B. The augmented is a 6 note symmetrical scale. The augmented chord doesn’t fit as neatly into a major or minor scale as the Major, Minor and diminished chords. But it can also be thought of as three major triads superimposed over each other:

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